Sunday article by Mohan Pai
The icon of beauty, love & romance
The male Indian peafowl is commonly called Peacock. This gorgeous and majestic bird Peacock, Pavo cristatus is the national bird of India. It’s a symbol of beauty, joy, grace and love. Indian tradition is full of references to this glamourous bird and it has been repeatedly used as popular art motif. Due to its close proximity to humans for thousands of years, the peacock is featured in ancient Indian stories, songs and poems as symbol of beauty & pose. In two epic poems of Kalidasa (Meghadutam and Kumarasambhava) the beauty of the peacock has been used as an ornate literary tool. The peacock is a prominent motif both in Rajasthani & Mughal schools of paintings. The lovelorn, pining Nayikas in Rajasthani miniatures have the peacock as a companion. The Jataka tales Mahamayur Jataka describes the earlier birth of Bhagavan Buddha as a golden peacock.
Hindu mythology describes the peacock is to be the vahan or the vehicle for Karthikeya also called Murugan, the brother of Ganesha, the goddess Saraswati, and the goddess Mahamayuri. Indian Peacock (called Mayura in Sanskrit) has enjoyed a fabled place in India since ancient times. In imagery Lord Krishna is always represented wearing a peacock feather tucked in his headband. Peacocks often live in proximity to humans. Ancient kings in India were said to have gardens to raise peacocks where guests were invited to see the famous male peacock dance during the mating season. Due to this close proximity to humans for thousands of years, they have entered ancient Indian stories, songs and poems as symbols of beauty and poise. As the mating season coincides with the onset of monsoon rains and the month of Shravan in the Hindu calendar, many songs of rains have peacock-dance mentioned in them. One possible origins of the name of the famous Maurya dynasty of ancient India is probably derived from the word Mayura as the ancestors of the Mauryas are thought to be peacock-keepers of a royal court in eastern India.
The main figure of the Kurdish religion Yezidism, Melek Taus, is most commonly depicted as a peacock. The Yezidi’s claim Indian origins.
This colourful bird has a fan-shaped crest on its head, a white patch under its eye and a long-slender neck. The male of species is more beautiful with a gleaming blue breast and an iridescent blue-green coloured plumage. The train feathers have a series of eyes and are best seen when the elongated tail is fanned. When displaying to a female, the peacock erects this train into spectacular fan, presenting the ocelli(eye-spots) to their best advantage.
The peacock, is one of the most recognisable birds in the world. These large, brightly colored birds have a distinctive crest and an unmistakable ornamental train. The train (1.4-1.6 meters in length) accounts for more than 60% of their total body length (2.3 meters). Combined with a large wingspan (1.4-1.6 meters), this train makes the male peafowl one of the largest flying birds in the world. The train is formed by 100-150 highly specialized uppertail-coverts. Each of these feathers sports an ornamental ocellus, or eye-spot, and has long disintegrated barbs, giving the feathers a loose, fluffy look. When displaying to a female, the peacock erects this train into a spectacular fan, presenting the ocelli to their best advantage.
The more subtly coloured female Peafowl is mostly brown above with a white belly. Her ornamentation is limited to a prominent crest and green neck feathers. Though females (2.75-4.0 kg) weigh nearly as much as the males (4.0-6.0 kg), they rarely exceed 1.0 meter in total body length.
The male (peacock) Indian Peafowl has iridescent blue-green or green coloured plumage. The so-called “tail” of the peacock, also termed the “train,” is not the tail quill feathers but highly elongated upper tail coverts. The train feathers have a series of eyes that are best seen when the tail is fanned. Both species have a crest atop the head.
The female (peahen) Indian Peafowl has a mixture of dull green, brown, and grey in her plumage. She lacks the long upper tail coverts of the male but has a crest. The female can also display her plumage to ward off female competition or danger to her young.
The Green Peafowl is different in appearance to the Indian Peafowl. The male has green and gold plumage and has an erect crest. The wings are black with a sheen of blue.
Peacock or peafowl Large bird belonging to the pheasant family, in East Asia being its native region. The crested common peacock during courtship displays his elongated upper tail which converts into a magnificent green and gold erectile train adorned with green blue ” eyes ” before the duller plumaged peahen. The peacock is a ornamental bird and is of quarrelsome nature and does not mix well with other domestic animals.
Habitat & Diet
They are omnivorous, obtaining most of their food by scratching the leaf litter with their strong feet. Indian Peafowl do most of their foraging in the early morning and shortly before sunset. They retreat to the shade and security of the forest for the hottest portion of the day. Foods include grains, insects, small reptiles, small mammals, berries, drupes, wild figs, and some cultivated crops.
The peacock is widely found in the Indian sub-continent from the south and east of the Indus river, Jammu and Kashmir, east Assam, south Mizoram and the whole of the Indian peninsula. The peacock enjoys immense protection. It is fully protected under the Indian Wildlife Protection) Act, 1972.
The legendary ‘Peacock Throne’ (also known as Takht-e-Tavous) of Ml Emperor Shah Jahan is a wonder of Mughal Art. It was yet another example of Shah Jahan’s unparallel aesthetic sense and love of art. This is counted as the costliest single treasure crafted in the last thousand years. In fact, the Peacock Throne was twice as costly as the total cost of the Taj Mahal. The original Peacock Throne was built in the 17th century and it was placed in Delhi’s royal court known as Diwan-i-Aam.
It acquired its name from its unique shape. It had the figures of two peacocks standing behind it, their tails being expanded and the whole was inlaid with sapphires, rubies, emeralds, pearls and other precious stones of appropriate colors so as to represent life. As described by the French jeweler Jean Baptiste Tavernier, who visited Delhi in 1665, the throne as of the shape of a bed (a “takhta” i.e. platform), 6 ft. by 4 ft., supported by four golden feet, 20 to 25 in. high, from the bars above which rose twelve columns to support the canopy; the bars were decorated with crosses of rubies and emeralds, and also with diamonds and pearls. There were 108 large rubies on the throne, and 116 emeralds. The twelve columns supporting the canopy were decorated with rows of splendid pearls, and according to Tavernier, these were the most valuable part of the throne. Among the historical diamonds decorating it were the famous Kohinoor (186 carats), the Akbar Shah (95 carats), the Shah (88.77 carats), the Jehangir (83 carats) and the second largest spinel ruby in the world — the Timur ruby (283 carats). A-20 couplet poem by the Mughal poet-laureate Qudsi, praising the Emperor, was embedded in the throne in emerald letters.
Delhi was invaded by Nader Shah in 1738 and the priceless Peacock Throne was one of the rare treasures he plundered from India. The legendary throne was carried to Iran. It glorified the palace of Iran till it was destroyed in the chaos following the assassination of Nader Shah in 1747.
References: Wikipedia, wildlife-tour-india.com